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Professional Development: Architects/Engineers
Organizations sending three or more people to Professional Development classes are eligible for a group discount.
P100: Stuff You Didn't Learn in Engineering School
P101: Introduction to Photoshop
P102: Digital Drawing with Adobe Illustrator
P103: Introduction to Animation
P104: Final Cut Pro: An Introduction to Computer Video Editing (non-linear editing)
S105: Introduction to Digital Type Design in FontLab Studio v.5
P200: Independent Filmmaking: A Crash Course
P300: Acoustics for Architects
F404: Developing a Personal Vision
F411: Photographing Your Art Workshop
F412: Architectural Photography Workshop
F413: Digital Architectural Photography: Lighting without Lights
F414: Starting a Career in Photography: A Realistic Approach to the Competitive World of Professional Photography
F601: Business Writing
F650: Speaking with Confidence
Stuff You Didn't Learn in Engineering School
Carl Selinger
1 session, 2 sections
This unique seminar teaches young engineers the most important non-technical "soft" skills they need to be more effective in work and life. Young engineers start their careers with excellent technical skills, but are less able to cope with the people, procedures and pressures of the real world. Skills covered include: running meetings, making decisions, setting priorities, working in teams, understanding yourself and other people (like co-workers, clients and your boss!), leadership skills, getting feedback, dealing with stress and improving speaking, writing and listening.
P100-1 $175
Friday, October 19, 9am-4pm
P100-2 $175
Friday, December 7, 9am-4pm
Introduction to Photoshop
Norman Sanders
8 sessions
Saturdays, October 6-December 1, 9:30am-12:30pm
This course is intended for photographers, designers, art directors and others who want to extend their knowledge of digital imagery to the vital tools of Adobe Photoshop. The course emphasizes efficient, precise image enhancement techniques required when photographs are destined for print media. Participants learn to apply tone and color correction curves, use layers and layer masks, enhance images with channel mixing, masking and blending, use filters and learn other creative techniques. Additional topics include color modes and profiles and additive and subtractive color theory. All sessions are conducted with hands-on practice on Macintosh computer stations. Participants who prefer may bring their own PC laptops provided Adobe Photoshop version CS3 is already installed.
P101 $690 AIA/CES 24 LU
Digital Drawing with Adobe Illustrator
Christina Gressianu
8 sessions
Saturdays, September 29-November 17, 9:30am-12:30pm
You don't need to know how to draw to use Adobe Illustrator. This class is for anyone who wants to learn how to use the myriad of tools and controls that Illustrator offers to create art for print or web. We will start with an introduction to the tools and menus followed by simple techniques. These include drawing basic shapes, selecting objects and points, adding basic color and using layers. While developing these simple drawing skills, we will also cover the difference between vector and raster art and CMYK and RGB color, along with a quick lesson about the color wheel to facilitate color mixing in Illustrator. We will learn advanced drawing techniques using the bezier pen tool, along with various forms of transforming and grouping paths. The students will be able to bring in digital photographs and re-draw the images in Illustrator to create a new and interesting kind of artwork. Finally we will discuss printing and file preparation for the web. Students do not need to bring any materials to the first class; however, they are welcome to bring their own laptops if they are equipped with Adobe Illustrator CS or CS2. Basic knowledge of computer use is required.
P102 $690
Introduction to Animation
Gearoid Dolan
4 sessions
Sundays, October 28-November 18, 12:30pm-4pm
This course is a hands-on introduction to animating with digital video and the aid of a computer. Students will learn about creating motion with drawn, photographed or computer generated images and how to shoot stop motion animations with a DV camera connected to a computer. Students will learn the rudiments of animation editing, adding audio and other special effects using software including After Effects, Final Cut Pro, Photoshop and more. Sample clips and art will be provided for students to use in class to start, so no images or previous experience is needed. We will work towards producing an original animation so students will need to bring to class: drawings, digital photos, video footage, puppets, etc. as their personal project demands.
P103 $475
Final Cut Pro: An Introduction to Computer Video Editing (non-linear editing)
Gearoid Dolan
4 sessions
Sundays, September 23-October 14, 12:30pm-4pm
This course takes the student through all the basics of computer editing using Final Cut Pro, the filmmaker's favorite Mac based non-linear editor (NLE). Students will learn how to log and capture video onto the computer and make it available for editing and then the class will take you through a variety of editing procedures; from the traditional three point editing and insert editing to the more freeform drag and drop techniques made so easy by computers. Students will learn how to create dynamic transitions and superimpositions, motion graphics, titling and special effects. Video clips and other source materials will be provided for class work. Cameras and DV decks will not be provided; if students wish to use some of their own footage, they will have to provide a Firewire capable camera or deck, or bring their clips in on an A/V rated Firewire hard drive. Students do not need to bring anything to class, and because of the nature of the program, there will be no homework assignments.
P104 $475
Introduction to Digital Type Design in FontLab Studio v.5
Hannes Famira
8 sessions
Sundays, September 30-November 18, 1-4pm
The design and production processes of typefaces have significantly changed in the past 20 years. In this hands-on workshop, Hannes Famira will guide the participants step by step through the stages of up-to-date font development. Students will grow familiar with the software application FontLab Studio v.5 by drawing and producing their own functioning digital typefaces. The topics covered will be tracing the artwork and the techniques of perfecting curves, building diacritics as well as the secrets of spacing and kerning.
P105 $600
Independent Filmmaking: A Crash Course
(Offered in conjunction with the Hollywood Film Institute)
Dov S-S Simens
2 sessions, 2 sections
This intensive lecture course covers, in one weekend, the essentials of writing, directing and producing low-budget films. The Saturday session, "Produce, Direct and Shoot," teaches students to make a film step by step: writing the script, hiring talent and crew, directing the shots, shooting, editing and procuring the final answer print. The Sunday session, "Distribute, Market and Finance," teaches students how to sell a film by attending festivals, competing for awards, hiring an agent, securing a distributor and maximizing theatrical, video, cable and foreign revenues. Among the filmmakers who attended this course at the beginning of their careers are Quentin Tarantino, Guy Ritchie, Baz Luhrman and the producers or directors of 24 Sundance Festival films. Workbook included.
P200-1 $390
Saturday and Sunday, October 13-14, 9am-6pm
P200-2 $390
Saturday and Sunday, December 8-9, 9am-6pm
Acoustics for Architects
Jim Abbott & Ben Houghton
6 sessions
Wednesdays, October 10-November 14, 6:30-9:30pm
This course, taught by a physicist and an acoustics consultant, covers both the fundamentals of sound and solutions to real-world problems. Students learn the nature of sound waves, acoustic sources and sound radiation, and a variety of measurement metrics such as sound and spectrum level. The course also covers psychoacoustics, including perceived loudness and masking as well as noise exposure and hearing health. Other fundamental topics include the reflection of sound waves, acoustic materials and room reverberation and modes. Students also learn the fundamentals of active and passive noise control and vibration isolation. The practical part of the course uses actual design examples to illustrate broad classes of acoustic treatment, room shaping and the effect of room size in achieving a desirable room balance. The course will review specific types of acoustic finishes, techniques and products. Among the sound isolation techniques to be examined include the use of glass; partition construction and detailing; "floating" floors, walls and ceilings; and the determination of the need for such treatments. The course also reviews HVAC noise control, noise code and building code requirements.
P300 $590
Developing a Personal Vision
Laurel Ptak
10 sessions
Tuesdays, October 2-December 11, 6:30-9:30pm
No class December 4
What sets a truly great photographer apart from the rest is the unique style, voice and perspective that comes across in all of their work. In this course, students will focus on developing their own personal vision as a photographer. Weekly assignments will keep you actively shooting and developing ideas, and critique sessions will help you understand your own weaknesses and strengths. Slide presentations, readings and discussions will allow you to develop a wider understanding of contemporary photography and your own place within it. By the end of the semester, students can expect to produce an impressive portfolio of work true to their interests, instincts and strengths as a photographer. This class is ideal for those who are ready to begin or extend an existing project working in either digital or traditional film.
F404 $310
Photographing Your Art Workshop
Laura Napier
2 sessions
Saturdays, October 13-October 20, 1-5pm
So you make art. Images of your artwork are useful for grant applications, web sites and publicity. Photographs can be essential for recording site-specific work or art that exists only for a moment, such as performance. This workshop covers both digital and 35mm film documentation through demonstration. Topics include: do-it-yourself accurate exposure metering for film and digital cameras, lighting basics and an overview of formats available for presentation of your images. Some experience with photography is helpful, but not necessary.
F411 $175
Architectural Photography Workshop
Gerry Kopelow
2 sessions
Monday and Tuesday, October 15-October 16, 9:30am-4pm
In today's competitive environment, all architects and interior designers need to know how to produce and manage high-quality photographic images of their projects. Through interactive talks, computerized slide presentations, and hands-on demonstrations, this two-day course examines digital camera operation and the fundamentals of architectural photography, including camera and lens choices, exposure technique, plus perspective and color control. Participants will learn how to put their images to good use in awards submissions, marketing proposals and on the web. The workshop also examines the photographic requirements for publication in newspapers, professional journals and books. Participants should bring their camera gear plus a few samples of their existing work for review.
F412 $310 AIA/CES 12 LU
Digital Architectural Photography: Lighting without Lights
Gerry Kopelow
1 session
Wednesday, October 17, 9:30am-4pm
This program is a natural follow-on to the two-day Architectural Photography Workshop described above. Participants will learn how to significantly increase the quality of interior and exterior architectural photos by imaginative electronic manipulation, rather than by applying an unwieldy arsenal of auxiliary photographic lighting. The workshop begins with a quick, intensive review of the operation of interchangeable-lens prosumer and professional digital single lens reflex (DSLR) cameras. This will be followed by detailed, hands-on instruction in how to apply appropriate electronic controls to extend tonal range, enhance color and correct perspective distortion. In addition, we will take a look at color calibration of monitors and printers, digital asset management and various approaches to archiving image files. Participants should bring a DSLR camera, a tripod, plus a computer with Photoshop installed (preferably CS3). Those who don't have digital cameras might bring scans of their film images or else partner with someone else in the class.
F413 $175
Starting a Career in Photography: A Realistic Approach to the Competitive World of Professional Photography
Jeanine Fijol
6 sessions
Wednesdays, October 10-December 5, 6:30-9:30pm
No class October 31, November 14 and 21
If you are a recent graduate of a photography program, or starting your career as a freelance photographer, this course will help place you on the right path. Class discussions will help demystify the photography industry by explaining how to approach magazines and advertising agencies for work. Students will learn how to edit and promote their portfolios so that they are commercially viable. Students will receive up to the minute industry information on topics such as stock photography, how digital photography is changing the business and the current climate of photography sales. Individual portfolio consultations will be provided. This course is not intended for those interested in the fine art market.
F414 $250
Business Writing
Michael Schuyler
10 sessions
Fridays, October 5-December 14, 6:30-8:30pm
No class November 23
This course is intended for the beginner and intermediate student. In this class students will learn how to write common business documents, including letters, memos, reports, recommendations, cover letters, résumés and e-mails. Students learn by writing both in class and at home, by participating in lectures and by attending one-on-one conferences. Since successful business writing depends on correctness and readability, approximately one-half of the term is spent in an intensive review of grammar and usage principles, such as punctuation, tense, sentence structure, agreement, parallelism, possession and homophones. Various approaches and styles demonstrate how to meet the needs of the business, the writer and the recipient simultaneously. Students are expected to have a notebook for personal use and paper (8 1/2"x11") for any in-class writing assignments.
F601 $295 AIA/CES 20LU
Speaking with Confidence
Eunice Iheagwam
10 sessions
Tuesdays, October 2-December 11, 7-9pm
No class December 4
Is your fear of public speaking holding you back? Learn to improve your public speaking skills in this course by speaking before small groups in a supportive environment. If you know the basics of effective public speaking, you can develop the poise, ease and image of a confident speaker. Topics include how to organize and write an effective speech, ways to control nervousness, the use of body language to bring your point across and how to speak off the cuff.
F650 $295