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Close Reading (or, the mystery of
the severed human leg)
1996
One-channel video, 2 minutes.
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About the work
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For the last nine years I have explored different strategies and media to make art politically. These activities paralleled shifts in my own political self-definitions. The AIDS crisis and the mobilizing impact it had on many lesbian and gay communities coincided with my own decisions to make lesbian/queer identity as a central place from which to move politically. As a lesbian, I am deeply concerned with the issue of visibility: in politics, culture, media, and art and in representations of sexuality. At the same time, I am well aware of the problems and dangers posed by one-dimensional identity politics. Although art cannot resolve the dilemmas created by politics or history, and can merely point to them, I think art can be educational without being didactic, political without being reductionist, subversive on many different levels, yet subtle enough to act as an interloper. M.P.
| 1951 |
born |
| 1971 |
Rhode Island School of Design, Providence |
| 1973 |
B.F.A. Kansas City Art Institute, MO |
| 1992 |
M.F.A. University of Illinois at Chicago |
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Adjunct faculty, School of the Art Institute of Chicago; lives in Chicago, IL
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