Gary Keown uses lights, sounds, and motorized elements to animate his humorous sculptural examinations of American social mores. The workbenchlike Vacation Incorporated uses a motion sensor linked to ocean sounds, a wave machine, a halogen spotlight, and motors controlling Barbie and Ken dolls; the Surrealist openness and craftlike accessibility of the work to a variety of meanings only enhance the impact of Keown’s assertion that “social commentary is the content behind the work.”