Stephen Rustow
Professor
Stephen Rustow is a principal of Museoplan, which he founded as SRA Consultancy in 2006; it is the successor firm to SRA, established in 1998.
An architect and planner with twenty-five years of experience, much of Mr. Rustow’s work has focused on museums. Before founding Museoplan, he was a Sr. Associate Principal with Kohn Pedersen Fox and directed that firm’s work on the renovation and expansion of the Museum of Modern Art in New York with Taniguchi Associates. Among his responsibilities were the detailing of the museum‘s galleries, the renovation of its original building and celebrated sculpture garden, and the reprogramming and design of MoMA’s Education Wing. He led the construction supervision team for the entire project over its seven-year duration. Until 1998, Mr. Rustow was an Associate Partner in charge of design with Pei Cobb Freed & Partners, and was a senior designer on several of that firm’s museum projects, most notably the additions to and renovation of the Louvre. Mr. Rustow became Director of the Paris Office of PCF&P in 1990 and was in charge of the second phase of the Louvre expansion, the Richelieu Wing, for which he designed the galleries of Oriental Antiquities, Islamic Art and the French and Northern Schools of Painting. Mr. Rustow also designed the Tuileries Terrace and was the supervising designer of the Carrousel Gardens, including the installation of the State collection of Maillol bronzes. Upon his return to New York, Mr. Rustow led the design efforts on three other museum projects for Pei Cobb Freed.
Mr. Rustow is currently a Professor of Architecture at Cooper Union where he also chaired the Feltman Seminar on Light in 2006 and 2007. He was previously a lecturer and studio critic for six years in Columbia University’s Paris Studio program, and has served as an invited juror in design studios and as a lecturer at Columbia, Cornell, Princeton and UP 3 and 8 in Paris. He has written and lectured on a variety of topics related to the design of museums including lighting, exhibition design and the role of the museum in urban development.
After completing an undergraduate degree with high honors in Anthropology at the University of Rochester, Mr. Rustow received Masters degrees in Architecture and in Urban Planning from M.I.T. in 1979, where he was also awarded an Institute Fellowship. He was an invited participant in the inaugural semester of ILAUD in Urbino, Italy in 1976. From 1974 to 1977, concurrently with his graduate studies, he was a Fellow of the National Science Foundation.
Mr. Rustow is a registered architect in the state of New York and holds certification from National Council of Architectural Registration Boards; he is a member of the American Institute of Architects and a past member of the Ordre des Architectes in France. He is also an urban planner, a past member of the American Institute of Certified Planners, and a member of the American Planning Association.
Projects & Links
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THE BULGARIAN NATIONAL MUSEUM COMPLEX
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MODULUS - MODULAR EXHIBITION SYSTEM
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II GABBIANO, GALLERY OF MODERN ART
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GRAND LOUVRE
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MUSEUM OF MODERN ART
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THE BULGARIAN NATIONAL MUSEUM COMPLEX
THE BULGARIAN NATIONAL MUSEUM COMPLEX
Sofia, Bulgaria
An expansion, consolidation and complete reorganization of several major national collections in the historic center of Sofia, just a block from the national cathedral. The project combines new building with the rehabilitation of several existing structures around a new open-air sculpture court, a significant addition to the public space of the city. A total of 22,000 square meters of construction, the project includes top-lit galleries, an auditorium and education spaces as well as a full complement of storage and conservation facilities. The commission was awarded through an international competition.
Working directly with the Bulgarian architectural and curatorial teams, Museoplan will be responsible for the design and development of all of the galleries, the art storage and conservation facilities and for assuring the basic circulation of visitors and art through the building.
Museoplan with Y. Apostolov
MODULUS - MODULAR EXHIBITION SYSTEM
MODULUS - MODULAR EXHIBITION SYSTEM
Pre-production Prototype
The system provides a highly flexible, reusable and sustainable approach to the presentation of art objects and is designed to cut exhibition costs by significantly reducing waste. It also functions as an important space-planning tool and can be used to create a consistent aesthetic signature across many exhibitions. The four component parts of the system combine to create three display heights and three lengths and are stored flat when not in use. An integral art platform can be painted, wrapped or treated in any manner appropriate to the art displayed. The system can be used with plexi-glass or glass cases, and can be adapted to include integral lighting and dehumidification components.
The prototype is designed in Valchromat, a cellulose-based, high-density composite with integral color that is highly resistant to wear and entirely free of off-gassing. The material is environmentally sustainable both in its fabrication and in its end-use recycling. However, the system may be customized to each individual museum’s brief and a wide variety of conventional materials may also be used including powder-coated metals, dimensional plastics, Corian, etc. The system is structured on a tubular stainless steel framework, which gives it strength, rigidity and ease of assembly while accommodating the greatest variety of finishes.
Museoplan
II GABBIANO, GALLERY OF MODERN ART
II GABBIANO, GALLERY OF MODERN ART
Rome, Italy
A complete architectural renovation of a celebrated, 40-year old gallery of contemporary art housed in an eighteenth century building in the center of Rome, near the Ara Pacis. The project included three new presentation rooms with new lighting and mechanical systems as well as art storage, gallery offices and archives. Museoplan also designed the furniture for the renovation. The gallery reopened with an anniversary exhibition in December 2007 including works of Rauschenberg, Motherwell, Lichtenstein, Sam Francis, Bochner and Ruscha.
Museoplan
GRAND LOUVRE
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
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PCF, Musée du Louvre, L. Boegly/Archipress, A. Wolf
GRAND LOUVRE
Paris, France
A comprehensive reorganization and modernization of the Louvre Museum for improved access, new public services and support facilities and a formal reintegration of the museum’s courts and gardens with the surrounding urban area. 1983–95.
Cour Napoléon – (Project Planner and Design Architect):
Major components include a glazed pyramid as principal entry to the museum set in a three hectare public plaza on the roof of a new underground building which houses the museum’s main reception area, visitor services, a 420-seat auditorium, temporary exhibition galleries, technical support spaces and new connections to the existing wings of the museum. 62,500 m2. $120,000,000.
Completed 1989.
Richelieu Wing – (Associate Partner in Charge of Design):
Conversion of the former Finance Ministry into 3 floors of exhibition space (36,000 m2). The project involved demolition of six stories of government offices behind the historic facades, conversion of three interior parking lots into day-lit sculpture gardens, creation of a grand escalator court as well as new public circulation and infrastructure. S. Rustow was also the Project Architect and gallery designer for the departments of French and Northern Painting, Oriental Antiquities and Islamic Art. $164,000,000.
Completed 1993.
Jardins du Carrousel et des Tuileries, Terrace Tuileries – (Coordinating Architect in Charge):
Comprehensive redesign of the 14 hectare complex of historic gardens to create a new axial continuity with the museum’s courts and a more thorough integration with the surrounding urban context. The project coordinated the work of two landscape design firms, the Voirie de Paris and the engineering designs for a new pedestrian bridge across the Seine.
S. Rustow with Pei Cobb Freed & Partners
MUSEUM OF MODERN ART
MUSEUM OF MODERN ART
New York, New York
A full reorganization and major expansion of the Museum totaling 630,000 s.f. of new construction and renovation including a new 5-story Gallery wing, a new wing for Education and new office and support spaces arrayed about the restored Sculpture Garden. In addition to 125,000 sf of gallery space for the museum’s permanent collections and temporary exhibitions, the project included a major new entrance and public lobby, two restored and one new auditorium, several restaurants, a library and departmental archives and a full complement of exhibition support spaces. The project was built to designs of Y. Tanaguchi who was awarded the commission after a competition in 1997. S. Rustow led the KPF team as architect of record, which had responsibility for all stages from design development through construction and designed the renovation/restoration of the Museum’s original Goodwin-Stone building as well as the Philip Johnson addition of 1964. The team was also responsible for the reprogramming and interior design of the Cullman Education Wing. 630,000 sf. $315,000,000. Completed 2006
S. Rustow with Kohn Pedersen Fox Associates












